Igor Goldin’s staging of Bill Solly’s Boy Meets Boy (subsequently optioned for off-Broadway)

Michael Lynch in Lanford Wilson’s The Madness of Lady Bright (subsequently given a full production)

Mark Finley’s production of Doric Wilson’s The West Street Gang

Tom Eyen’s Sarah B. Divine directed by Barry Childs with music composed by Morry Campbell

Mark Finley’s staging of Doric Wilson's Street Theater at the NY Eagle

("no funnier show now running" — Deffaa, New York Post ; HX Best Play nomination; revived 2003)

Chris Weikel’s Gareth & Lynette and Penny Penniworth*, directed by Mark Finley under the collective title Tales Told

(*"must see show"— FringeNYC 2003)

David Bell's What the F**k?!, directed by Mark Ax and Christopher Borg

Doric Wilson's A Perfect Relationship, directed by Mark Finley

("smart, sexy gem of a romantic comedy"— Warman, HX Magazine 2003 OOBR Best Play Award)

and inaugurating The Billy Blackwell / John Wallowitch Musical Theatre Project:

Look Askew - a musical revue conceived and directed by Igor Goldin (at the GLBT Center)

Christopher Borg’s production of David Bell's Bernadette and the Butcher of Broadway

("a delightful deadly satire"— Lyons, New York Post)

Mark Finley's adaptation of Young Stowaways in Space

("a delightful romp through outer space!...It's Christmas in February and Young Stowaways is a large enchanting toy! I love it."— John Wallowitch)

the world premiere of Robert Patrick's Hollywood at Sunset directed by Barry Childs

( "Do not walk-RUN to see Robert Patrick's Hollywood at Sunset"— Estrada, oobr 2004 OOBR Best Play Award)

Kevin Brofsky's Dancing Straight, Mark Finley's How Do We Get Her in the Water? & Chris Weikel's Speaking Parts

("consistently hilarious, insightful and a total joy"— Weinstein, New York Blade)

("TOSOS II is rapidly building a reputation for quality work"— Battersby, oobr)

-and for the TOSOS II Billy Blackwell / John Wallowitch Musical Theatre Project:

Musically Speaking: The World of Bill Solly, directed by Igor Goldin

("rare to see a revue that hangs together on subtext alone...a charming, youthful, talented, and energetic cast — Denton, nytheater.com)

Musically Speaking :The World of John Wallowitch, a revue conceived and directed by Mark Finley

("a sweet-tart little slice of cabaret nirvana"— Jonathan Warman, HX Magazine)

Elizabeth Whitney's Wonder Woman The Musical (inaugurating The Ethyl Eichelberger Solo Show Project)

("A skilled comedienne… thought provoking and insightful."— Eric Pliner, NYtheatre.com)

the world premiere of Mark Finley's new play The Mermaid, directed by Barry Childs

("one of the most entertaining and thought provoking nights I have had at the theatre in a long time" — Wilder, OnOffOff.com)

Christopher Borg in Charles Busch’s The Lady In Question at The Monster

("gripping and riotous... a spirited Lady in Question with playwright Busch present–Gelbert, New York Q News)

New York Minutes, a revue of the songs of John Wallowitch, conceived & directed by Mark Finley

(extended version of Musically Speaking :The World of John Wallowitch)

Michael Lynch in Lanford Wilson's The Madness of Lady Bright (produced in association with Peculiar Works Project)

(Michael Lynch is grand ...Melissa Center and Marlon Hurt are superb...you will not want to miss The Madness of Lady Bright - Denton, nytheatre.com

Chris Weikel’s WeikelWorks: Three Plays in Concert

Liebestraum; Family Vote; and Making it up as We Go Along: Two Lives Improvised in One Act

Jeremy Lawrence performing "Lavender Songs," a collection of cabaret songs from the Weimar Republic

(a witty, proud and political evening– Gelbert, Q OnStage)

The Billy Blackwell/John Wallowitch Musical Theatre Project:

The Robert Locke Quartet at the Duplex

An Acoustic Evening with Morry Campbell at the Duplex

("easily the best play on the subject I’ve ever seen"–Warman, NY Blade)